Television is rather a frightening business. But I get all the relaxation I want from my collection of model soldiers.
Peter Cushing
Showing posts with label 28mm. Show all posts
Showing posts with label 28mm. Show all posts

Friday, 28 August 2020

Ranaldstrasse Blues

 The blog has been very quiet of late, mainly because I've been doing more online roleplaying that painting or modelling during the lockdown. The urge to make things, however, was always too strong so I started looking for a new project. When I got back into the habit a few years ago, I started by making dioramas and fancied getting back to that. 



Book nooks also known as shelf inserts, are mini dioramas placed between books on your shelf. The idea is to create an illusion of depth and a miniature world. 

Perfect!

The basic design for mine was based on Warhammer Fantasy Roleplay - one of my favourite RPGs and one of the ones I've been playing during lockdown. As per usual, I started with a sketch:


Because I'm not at work for another couple of weeks, I didn't have access to the laser cutter so I bought the basic framework from ebay. Once it arrived, I transferred the structure sketch to the inside




I had a pretty clear idea of what I wanted the lighting to look like so started working on the circuit layout on the outside. 


Quick bit of the old maths to work out the correct resistor and a swift circuit test


Then use the router on the dremel to chase the cable runs on the outside. On the final pieces these will be covered in electrical tape. 



For the street I used some leftover tiles from the dungeon project



Then started construction on the walls; here we see the noble coffee-stirrer pressed into use as planking. 



Brickwork was simply scribed into blue foam with a pencil; the occasional brick was then pushed in with a bit of wood or gently rounded with the end of the pencil. This created a pleasingly random texture and emphasised the 3d nature of what is, to all intents and purposes, a stage flat. 

Coffee stirrers were added to create the beamwork. The big advantage of coffee stirrers is that they are very strong, added a great deal of stability to your models, but also that they are very uniform. It cuts down the measuring time significantly. 




The same proceedure started on the other side



Constant dry fitting allows me to check that there aren't any nasty gaps but also that the look is right. 


The fit of the false back wall was difficult to get right. In some book nooks these are angled mirrors to create a lot of depth, but I couldn't find a mirror the right size. 


Here you can see the different levels of the bricks. I've also added the steps to the door of the pub. 




The upper stories were simply boxes made out of thick card (actually the lovely card from the back of A4 lined paper packs). I just measured the plan and drew a net on the card. Cut, score, fold and glue. 


Adding coffee stirrers for the beams finishes them off. It's worth pointing out that I measure the coffee stirrers by eye to end up with a slightly rough, uneven look. If you look at any surviving tudor or medieval building (I'm thinking especially of the Shambles in York or several around Chester) you'll notice that the angles are never quite square. So sloppiness here adds a feeling of reality. 







The door was made from balsa plank, into which I scribed planking. The structural bars are from a coffee stirrer cut in half lengthways. 


Door frames and window frames, because they're so fiddly, were cut from balsa plank. Matchsticks do just as well but this way was slightly less uniform. 


Here's the basic construction, sans roofing. 



And the street level view, showing some more balsa blank used to create the fence in the alleyway.


Next up, the roofing and then painting. Once we've got the painting and weathering done, then the basic shell can be closed up and the lighting installed. Finally, the miniatures will be able to be added. 

Stay tuned!





Wednesday, 29 May 2019

"The Scum of the Earth"

"The French system of conscription brings together a fair sample of all classes; ours is composed of the scum of the earth — the mere scum of the earth. It is only wonderful that we should be able to make so much out of them afterwards."
-Arthur Wellesley, 1813





Starting a new project is always fun. I currently have two new projects on the go, the first of which is 28mm Napoleonics.



I'm starting with the British - specifically the South Essex (latterly the Prince Of Wales' Own Volunteers).

These are a mix of Perry and Warlord plastics to provide some variation in height; I also painted various shades across the two ranges to ensure that there were subtle variations in colours to reflect the fact they've been in the field for a while.









Batch painting has always been my weakness so this was all about finding a system that wasn't too painful. The old lollystick approach and lots of washes and glazes was the main way although I am looking forward to the new Citadel Contrast paints as I reckon these will speed things up enormously.





Next up some

Wednesday, 21 November 2018

Master and Commander Redux


“Jack and Stephen were neither of them human until the first pot of coffee was down, hot and strong.”

As long term readers of the blog will know, I have a deep and abiding love of the Aubrey Maturin novels and especially of the film version, Master and Commander. To the point where I made screen accurate versions of the Surprise and Acheron in 1/1200 alongside a number of other ships.




One issue has always been that there hasn't been a good 28mm version of either Lucky Jack or Stephen - until now. 

This is the Limited Edition miniature that Warlord Games shipped with their 2nd edition Black Powder rules. I have no need of the rules but wanted the miniature very badly indeed. Luckily, a scholar and gentleman of the Napoleonic Wargamer Facebook group was willing to part with his. 

It is a gorgeous sculpt and an incredibly crisp casting. 




A quick zenithal prime...





And then basecoating. 


Reference material:



I decided quite early on to go for a holystoned deck for the base as it would make the darkness of the coat stand out more. Incidentally, I have started using airbrush tinner instead of water to thin my paints, even when using a brush. It's genuinely revolutionised my painting - as you'll see with some of the detail work on Lucky Jack. 






Daylight test and I'm happy with the custom mixed Navy Blue. Time to do the gold trim.